A standard definition for art is 'art is emotion'. It should therefore be the case that art can and perhaps should affect our emotional wellbeing. Hopefully positively.
At Devon Sculpture Park we want to foster this link. We have double the motivation: firstly evidence supports that people de-stress in museums and galleries but also there is a sizeable movement around improving our wellbeing through 'time in nature'. As a leading UK Rewilding centre we specialise in the wellbeing of land and wildlife. The parkland is mesmerising.
We are all about 'art in nature'. Mamhead Park (South) was designed for it. The evidence is everywhere - with endless, mesmerising sea views framed so magically by Capability Brown, connected via a tunnel from the ice house all the way to the sea.
The Robert Adams Orangery has a dome that makes you giddy when you stare up at it. The Lake House reflects calmy off the Capability Brown lake. Rowing boats float among fish and birdlife.
Dozens of benches and chairs have been painstakingly positioned to promote sitting and relaxing; taking in the 'art in nature' while detoxing. After all, we have to live up to the inspiring engraving on one of our ancient pillars: 'Et in Arcadia ego' which translates to 'I am in paradise'.
Join us. The Capability Brown gardens and inaugural 'ART WILDED' exhibition, are open from Wednesday to Sunday, 10am - 4pm. Adults £12, children under 12 £6.
Every Wednesday we celebrate #WellbeingWednesday. We offer a freeafternoon Wellbeing walk for sculpture park visitors, meeting at The Terraces at 2pm. The short guided walk is designed to help us renew and reconnect taking in the art, gardens, vistas and waterways.
Companies, charities and healthcare organisations can bring team members for a few hours out. If you're a Wellbeing counsellor bring clients and run sessions outside or in our therapy rooms.
To arrange a Wellbeing visit contact firstname.lastname@example.org.
Visit our website: https://devonsculpturepark.org/
Medical and landscape historian, Dr Clare Hickman brings us up-to-date with some of her activities during 2018
John Coakley Lettsom (1733-1810), physician, with his family, in the garden of Grove Hill, Camberwell, ca. 1786. Oil painting by an English painter, ca. 1786.. Credit: Wellcome Collection. CC BY
The Doctor’s Garden
Dr Hickman (https://drclarehickman.wordpress.com) is currently researching late Georgian gardens for a new publication with Yale University Press due in 2020. Her book will highlight the use of gardens by medical practitioners for knowledge creation, dissemination and the establishment of polite networks of influence.
Medical practitioners were ideally placed to capitalize on the fashion for botanical collecting and agricultural experimentation at the end of the eighteenth century because they had access to botanical training as part of their medical education and, for those at the top end of the profession at least, a reasonable disposable income.
The book will draw together examples of the design and use of institutional, semi-public and private gardens created during this period by professors, physicians, surgeons and apothecaries. In this way it will inform our understanding of gardens created by the emerging middle classes as well as highlight the extent of the involvement of medical practitioners in a range of botanical and agricultural activities.
Beginning with University botanic gardens, particularly the Leith Walk garden in Edinburgh and the Glasgow University physic gardens, where eighteenth-century medical students received training in botany, the text will consider how these spaces became configured as elite botanical teaching and research stations and how technicians, such as gardeners and artists, were integral to the success of their activities. It will also consider how the material culture and sensory experience of botanic teaching, with its specimens, illustrations and herbaria, corresponded to other forms of medical teaching, and in particular that of anatomy.
By comparing these University based gardens with botanic collections established through subscription and by private collectors, it will also consider how botanic knowledge was created and shared through a range of different types of garden. Examples will include the London Botanic Garden which was established by the apothecary William Curtis as a semi-public garden funded by subscription, as well as the design and use of domestic gardens, including that developed by Dr Coakley Lettsom with his botanically arranged beds, observatory and agricultural experiments in Camberwell, London.
We also thank Dr Hickman for sharing a link to 'Nature, Health and the Human: A brief sensory history' on which she worked with Dr Victoria Bates.
It was the walled garden that did it….
When Anna Baker Cresswell’s beloved Mother was living with Parkinson’s Disease during the last years of her life, Anna gave up her job in London and moved back home to Northumberland to look after her. The walled garden there gave Anna snatched half hours of calm, control and order when the rest of her life had none.
Royal Horticultural Society reports on the John MacLeod Lecture 2016.
A leading academic has argued that gardening is uniquely placed to help bridge the widening gap between modern, urban lives and the natural world, during the Royal Horticultural Society’s (RHS) annual John MacLeod Lecture on 10 November.
Dr Ross Cameron, a Senior Lecturer in Landscape Management, Ecology & Design at the Department of Landscape, University of Sheffield, believes that as urban populations increase, city dwellers are missing out on the emotional, physiological, and psychological benefits of engaging with the natural world, benefits that humans are hard-wired to respond to. He argued that this lack of connection contributes to a condition he calls Nature Deficit Disorder (NDD).
Angie Butterfield and Daryl Martin
This paper, written by two members of Landscape, Gardens and Health network management board was recently published in Landscape Research, as part of a Special Issue on landscape and health. Angie and Daryl's paper brings together research from two projects undertaken with staff, visitors and volunteers at 10 Maggie's Centres. It considers their experiences of Maggie's environments and the use made of internal spaces and garden areas.
If you are interested in obtaining a copy of the full article, please contact Angie and Daryl directly (email@example.com). They will be happy to send you a copy.
The little-known medical history of hospital gardens has been the topic for a unique installation at the Chelsea Fringe Festival, 18 May-5 June 2015. ‘Taking a Turn’ has been developed by gardening therapist and garden designer, Rebecca Smith, to explore the mental health history of hospital gardens over more than 200 years.
At Holt Wood we are working towards sustainable cultivation and harvest of medicinal trees and shrubs. Our project is based on a two acre site in North Devon, UK which was previously a conifer plantation.
Michael Connors, Director of Services at Penny Brohn and member of the LGHN management board shares the presentation he gave at the LGHN seminar in 2015. Michael discussed the role of the garden within the therapeutic program at Penny Brohn. He emphasized how an understanding of Ecopsychology (including mindfulness, eco-therapy and nature and soul) is integrated within the service provision at Penny Brohn. The garden, which is sustained by a strong volunteer team, provides a symbolic meta model for a ‘journey of transformation’ (the Hero’s Journey).
Conversations about healing trees by Colin Porter
Having been trained at Kew in the 1980’s form of scientific rationality, the more left-field ideas of natural harmony or sustainability found at places like Findhorn or the Centre for Alernative Technology in North Wales should have passed me by. The majority of people I worked with seemed to be reassured by reasoned argument and, as far as I was concerned, scientific rationality provided a reliable platform for the day job. But our day jobs were only part of the story.
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